The project “Sturm&Drang”, curated by Luigi Alberto Cippini (Armature Globale), Fredi Fischli and Niels Olsen (gta exhibitions, ETH Zurich), explores Computer-generated imagery (CGI) practices, experiences, and environments.
Originated from a collaboration between Fondazione Prada and gta exhibitions at the ETH Zurich Department of Architecture, “Sturm&Drang” consists of a series of online conversations from 7 April 2021 and an exhibition project in the spaces of Osservatorio Fondazione Prada in Milan from 9 September 2021 to 22 January 2022 and later at gta exhibitions, ETH Zurich.
The first phase of the project “Sturm&Drang” is the online university course “Sturm&Drang Studio” for 185 students at ETH Zurich, taught by tutors Luigi Alberto Cippini, Fredi Fischli and Niels Olsen. Launched on 22 February 2021, the course “History of Art and Architecture: Exhibiting Architecture,” introduces methods of exhibition making as an architectural practice. Conceived as a collaborative platform for analysis and production, “Sturm&Drang Studio” is the result of an exchange of expertise between an educational institution such as ETH Zurich and a cultural centre such as Fondazione Prada.
“Sturm&Drang Studio” has a duration of 3 months and combines lectures and workshops addressed only to the students enrolled in the course and public conversations accessible from 7 April 2021 through the YouTube channel of Fondazione Prada. The public meetings will feature international guests from different fields of culture and digital production including the French studio Artefactory Lab specialized in the visualization of architecture and urban and landscape projects; the French artists Sybil Montet and Sara Sadik; the Swiss artist Emanuel Rossetti, the New York based artist Meriem Bennani, among others. On April 20 at 5 pm the Vice President of Research of The Walt Disney Studios and the director of Disney Research|Studios Markus Gross will attend a live talk to be streamed on Fondazione Prada’s Youtube.
The main goal of the course is to allow students to immerse themselves in the dynamics of the digital industry, by imitating its components and workflows and moving away from the didactic approach of a usual university course, with the aim of addressing a critical analysis of the infrastructure of the digital industry. At the heart of “Sturm&Drang Studio” are the following questions: How is CGI content made? How is physical reality used to test virtuality? Who are the programmers, part of an anonymous visual content production class? What is the new culture that feeds the continuous production of images?
The course includes modeling and rendering workshops to experiment with the potential and limits of digital architecture and engineering, creating visual content that will feed into subsequent chapters of “Sturm&Drang” project. Students also have the opportunity to visit the Disney Research Laboratory at ETH Zurich, which develops innovative technological solutions for many films. Practical exercises are guided by an experimental theoretical approach that goes beyond the established critical and academic model. Digital modeling and rendering skills are currently developed through hands-on practice and real-life peer-to-peer or virtual comparison, consulting video tutorials, FAQs and community blogs of programmers. To date, the only available literature on the subject is represented by software manuals distributed by production companies, while the exercises are accompanied by the use of an oral transmission of skills made available by uploaders in the form of online video tutorials. “Sturm&Drang Studio” aims to explore these gaps in the dissemination of knowledge that affects an increasingly large community of users, with the intention to create an anthology of reference, starting from the transcript of tutorials and analyzing vocabulary and structure. In addition to these transcriptions, the bibliography of “Sturm&Drang Studio” includes key texts of contemporary cultural criticism, emblematic novels of eighteenth-century and classics of nineteenth-century romantic literature, with the aim of reasoning on a broad spectrum on the mechanisms of emotional involvement of the user.
Born in 1988, Sybil Montet is a French artist, art director and digital creative. The artist engages in digital in order to investigate dynamics between mysticism and physicality. She explores the qualities of CGI as means of mirage projections, actualizing her fascination for painting and sculpture. Her attraction for technosciences, nature and mystical fields, drives the artist through the creation of actual and future interconnections between humans, technology and the forces that define its environment.
Sara Sadik is an artist based in Marseille, France. Her works is focused on the French working-class youth and its culture.
Documenting its mysteries and deconstructing its social mythologies, particularly on masculinities, into narratives from the documentary register to science fiction as well as reality-TV scenarios. Graduated from Ecole des Beaux-Arts, Bordeaux FR in 2018, Sara Sadik‘s work has been presented in various group exhibitions, Sara Sadik has also presented performances at the Festival Do Disturb, Palais de Tokyo (Paris, 2019) and at the Festival Parallèle, Friche la Belle-de-mai (Marseille, 2020).
Artefactory Lab is a french agency based in Paris. Born in 1999, its specialization goes from architectural projects, urban planning and landscape. Since the beginning, the agency stands out as a leader in image making and animated films, then becoming a reference for 3D visualisation. In 2016, the agency broadens its skill range and includes virtual reality into its set of practices.
Emanuel Rossetti is an artist that lives and works in Basel. In his works we can find various themes, including the distortion of time and space. Among his most recent exhibition there’s “Staged Stairs”, at Pina, Vienna (2019), “Hypnic Jerk”, at Jan Kaps, Cologne (2017) and “Delay Dust”, Kunsthalle Bern, Bern (2014). From 2008 to 2013 he was co-curator of New Jerseyy, an artist-run exhibition space in Basel.
Meriem Bennani lives and works in Brooklyn. Juxtaposing and mixing the language of reality TV, documentaries, phone footage, animation, and high production aesthetics, she explores the potential of storytelling while amplifying reality through a strategy of magical realism and humour. Bennani’s work has been shown at the Whitney Biennale, MoMA PS1, Art Dubai, Public Art Fund, CLEARING and The Kitchen in New York.
Ntopology is a software company building the next generation of engineering design tools for advanced manufacturing. nTopology’s computational engineering environment combines synthesized geometry and simulation results into finely tuned manufacturing models. The flexibility of new manufacturing technologies introduces challenges to traditional engineering workflows. Ntopology believes that the future of product development is about capturing the engineering design process and tying it together using multiple algorithms into a broader computational workflow.